Jayeshbhai Jordaar 2022
IMDb Ratings: 8.7/10
Genres: Comedy, Drama
Language: Hindi
Release Year: 2022
Director: Divyang Thakkar
Stars Cast: Ranveer Singh, Shalini Pandey, Boman Irani
Director: Divyang Thakkar
Stars Cast: Ranveer Singh, Shalini Pandey, Boman Irani
Jayeshbhai Jordaar Screenshots
Jayeshbhai Jordaar Review
Female medicine is not a new topic for today’s audience; it was back then, but certainly not in this online generation. Even the topic of determining sex during pregnancy does not start with us, but yes, it is true that this topic is not always used in cinemas. There are many similar episodes on TV series like Crime Petrol and Savdhaan India because they are encouraged by real events. In films, you need to have fun, and that is probably the main reason why many filmmakers do not choose this theme as a feature film. Well, from now on I would say that Divyang Thakkar's Jayeshbhai Jordaar is one sincere effort, but is that enough? Not really. The film has a good sense of humor and is also able to express itself in a humorous way, but weak writing in the second half causes an unexpected fall.
Jayeshbhai Jordaar tells the story of Jayesh Patel (Ranveer Singh), who is married to Murdra (Shalini Pandey), but has no heir. Jayesh's father, Ramlal (Boman Irani), is a proud village chief with a male ego from his ancestors, and he is looking for an heir who will further the male heritage in the area. He forces Mudra and Jayesh to have abortions, not two or three times, but six times. Finally, they have a girl named Nisha, who turns out to be a clean firecracker. Mudra is pregnant again, but this time Jayesh has decided to have a baby girl, and how she fights with her father and the whole place full of men in her village is all that makes up another story.
Jayeshbhai Jordaar had a good first season. It’s funny and enticing for 50 minutes and then dragging in the second half, which is 70 minutes long. Part of the climax is not well written, and that is the main reason for this unexpected fall. The film has a lot of loops here and there, but you ignore them until the narrative looks funny, but the last 20 minutes have so many cliches that are so obsolete that they cannot be ignored. Divyan’s writing completely halts his progress, failing to reach its true potential.
Ranveer Singh is one of the leading actors from a small Bollywood group, and continues to flow well with the film. He comes out of a very good game at 83, and Jayeshbhai Jordaar keeps flowing to him. The way he speaks and his body is remarkable, but there are flaws in his character that can be blamed on the author. The second best performer in this film is none other than Boman Irani. He is as flawless as Ramlal. The only real killer in the film is his own. Beginner Shalini Pandey looks as respectable as Mudra, while her daughter Nisha, also known as Jia, is confused. Ratna Pathak Shah has nothing new to offer and the supporting characters of Samay Raj Thakkar, Ragi Jani, Puneet Issar and others are not that impressive.
The film has four songs in total; one of them comes from the end of the credits. Firecracker is a high-quality and touch-up character, which keeps the mood alive with small details throughout the story until it appears in its full version at the end. "Jordaar" comes for a while in the climax, but it certainly is the best song from the album. Another status song, "Dheere Dheere Seekh Jaunga," is a little annoying, but not completely exhausting. Jayeshbhai Jordaar has jordaar but screenplay is disabled. A few of the conversations have a hidden meaning, while some are not suitable for family audiences. That idea of "Pappi" (Kiss) is very bad, and how bad it is in the last scene is even worse.
Not a bad thing for a beginner film, but it certainly shows Divyang flaws. Instead, it exposes them. You wouldn’t expect a family entertainer to have such a language and vulgar references to prove a difficult social message because they are unfamiliar with these urban things. It is not a single-screen audience film or a multiplex-driven drama; it simply wanders aimlessly in the middle. Divyang Thakkar's view was good, but not his murder. He did not have the directing skills needed to handle the film, but before that he did not have the writing skills that would make Jayeshbhai Jordaar a solid film on paper. All in all, it is a poorly distributed document that should be checked several times before going down. The play of Ranveer Singh and Boman Irani may delight you, while the film will enter a memory trail as a half-baked product.
Jayeshbhai Jordaar tells the story of Jayesh Patel (Ranveer Singh), who is married to Murdra (Shalini Pandey), but has no heir. Jayesh's father, Ramlal (Boman Irani), is a proud village chief with a male ego from his ancestors, and he is looking for an heir who will further the male heritage in the area. He forces Mudra and Jayesh to have abortions, not two or three times, but six times. Finally, they have a girl named Nisha, who turns out to be a clean firecracker. Mudra is pregnant again, but this time Jayesh has decided to have a baby girl, and how she fights with her father and the whole place full of men in her village is all that makes up another story.
Jayeshbhai Jordaar had a good first season. It’s funny and enticing for 50 minutes and then dragging in the second half, which is 70 minutes long. Part of the climax is not well written, and that is the main reason for this unexpected fall. The film has a lot of loops here and there, but you ignore them until the narrative looks funny, but the last 20 minutes have so many cliches that are so obsolete that they cannot be ignored. Divyan’s writing completely halts his progress, failing to reach its true potential.
Ranveer Singh is one of the leading actors from a small Bollywood group, and continues to flow well with the film. He comes out of a very good game at 83, and Jayeshbhai Jordaar keeps flowing to him. The way he speaks and his body is remarkable, but there are flaws in his character that can be blamed on the author. The second best performer in this film is none other than Boman Irani. He is as flawless as Ramlal. The only real killer in the film is his own. Beginner Shalini Pandey looks as respectable as Mudra, while her daughter Nisha, also known as Jia, is confused. Ratna Pathak Shah has nothing new to offer and the supporting characters of Samay Raj Thakkar, Ragi Jani, Puneet Issar and others are not that impressive.
The film has four songs in total; one of them comes from the end of the credits. Firecracker is a high-quality and touch-up character, which keeps the mood alive with small details throughout the story until it appears in its full version at the end. "Jordaar" comes for a while in the climax, but it certainly is the best song from the album. Another status song, "Dheere Dheere Seekh Jaunga," is a little annoying, but not completely exhausting. Jayeshbhai Jordaar has jordaar but screenplay is disabled. A few of the conversations have a hidden meaning, while some are not suitable for family audiences. That idea of "Pappi" (Kiss) is very bad, and how bad it is in the last scene is even worse.
Not a bad thing for a beginner film, but it certainly shows Divyang flaws. Instead, it exposes them. You wouldn’t expect a family entertainer to have such a language and vulgar references to prove a difficult social message because they are unfamiliar with these urban things. It is not a single-screen audience film or a multiplex-driven drama; it simply wanders aimlessly in the middle. Divyang Thakkar's view was good, but not his murder. He did not have the directing skills needed to handle the film, but before that he did not have the writing skills that would make Jayeshbhai Jordaar a solid film on paper. All in all, it is a poorly distributed document that should be checked several times before going down. The play of Ranveer Singh and Boman Irani may delight you, while the film will enter a memory trail as a half-baked product.
